Showing posts with label closed headphones. Show all posts
Showing posts with label closed headphones. Show all posts

Sunday, May 6, 2012

HARMAN K81DJ Akg Closed-Back Folding Dj Headphone Review

HARMAN K81DJ Akg Closed-Back Folding Dj Headphone
Average Reviews:

(More customer reviews)
I bought these AKGs as the result of my search for a decent sealed headphone to replace my Sennheiser PX100s, which just weren't cutting it on the train. I'm amazed at the difference. These, like the Senns, have a 32 ohm impedence, so they're easy to drive with a portable player. At first blush, they reveal much more detail in the music than the PX100s do, including a more coherent and present high end. I'm hearing a lot more detail even in songs encoded in WMA format at 128kbs. The bass is controlled but does not lack. I have had AKG reference headphones in the past (240DFs). While these are not in that league, they easily sound as good as the Sennheiser 280 Pros that I've got. Better than the 280s on a portable, too, as they are easier to drive. These are smaller, supraaural headphones. Though they're not as portable as the Sennheiser PX100s, they're much easier to wear during the commute than the 280 Pros. All in all, they're a great deal for someone with a portable player. Check them out if you're looking for a good balance of portability, noise attenuation, and sonics at a reasonable price.
------
February 2007 Update:
The left channel started shorting out recently. I am sending these in to AKG for warranty service. It must be a weak wire -- I take good care of these headphones.

Click Here to see more reviews about: HARMAN K81DJ Akg Closed-Back Folding Dj Headphone

"Obviously, informal parties deserve the same kind of professional sound quality as large-scale events do. Semiprofessional DJs too need dependable equipment. The K 81 DJ fit the bill perfectly.Their closed-back earphones, for instance, provide optimum isolation from ambient noise. The K 81 DJ will take heavy usage easily, and their high SPL capability ensures excellent sound quality. Finally, their level of wearing comfort is as impressive as their powerful low end and accurate imaging.Their distinguishing features include:3D-Axis folding mechanism for ease of handling and good user comfort. Folded down into a thin package, the k 81 dj are ready for use anytime High sound pressure level: High SPL capability for any type of event in any environment. Legendary AKG sound quality Closed-back earphones: Isolating ear cups attenuate ambient noise, keeping even quiet passages clearly audible Maximum ruggedness Detented adjustable headband "

Buy NowGet 51% OFF

Click here for more information about HARMAN K81DJ Akg Closed-Back Folding Dj Headphone

Read More...

Friday, May 4, 2012

Ultrasone HFI-780 S-Logic Surround Sound Professional Headphones Review

Ultrasone HFI-780 S-Logic Surround Sound Professional Headphones
Average Reviews:

(More customer reviews)
Firstly, I just want to say that I love these headphones and they are indeed 'different' from other headphones in similar price range. The HFI's come with the Ultrasone's demo CD and OMG!!! You will immediately appreciate what S-Logic can do to 'mimic' natural surround sound in a pair of headphones...you can hear musician's gasping for air, breathing, and other nuances that your 'normal' speakers don't pick up.
Okay, here are some headphones that I own or have tried in no particular order: Audio-Technica ath-m50s, Beyerdynamic dt770, Audio-Technica ath-a700, and others...anyhow, the point is, I would like to say that I know my headphones!!!
Some 'high marks' on these headphones are particularly the Highs and Lows. Highs are crisp and clear, drummers may love this aspect of the headphones as the sounds are very bright...
Low frequencies are somewhat boomy!! These are like mini-subwoofers for your ears...so bass lovers may want to try the HFI-780s cause they do deliver!!
IMHO, the midrange is the headphones 'weakpoint.' I mean, they do not sound all that bad, but unlike traditional headphones, the S-Logic tends to make the midrange, especially, vocals, sound very 'forwarding.' You also may not pick up certain sounds as 'clearly' as 'normal headphones' because of the S-logic feature...it's kinda hard to explain, but if you have an extra pair of headphones without s-logic to compare, you will notice that the s-logic does hinder certain sounds in the mix...
Comfort: 2/5...these are dead-right uncomfortable!! Give it about 30 minutes and the headphones will consume your ears as well as your skull! Really I should've rate these phones 4/5. I really wanted to like these headphones, but after long listening sessions, my ears are not only sweating, but also got very sore!Besides comfort issues, these are very 'bright sounding' headphones...I've heard some pro-musicians mixing with them, but I can see how S-logic may throw off your senses when mixing down. That said, these may have some 'coloring' in your sounds, but like everything else, you just gotta learn your equipments to see what works and what does not.
If you desire a different kinda headphone with great sound, then these are great and worth the money!
P.S. I prefer the sounds of my Audio-Technica-ath m50s over the HFI-780s...I feel like I've found the perfect under $200 headphones (M50s)...
but, I decided to keep the HFI's because they really do compliment my M50s and I like the S-Logic for certain things like movies, drums, etc...
the bass on the HFI-780's is just a tad bit 'better' than the m50s...and the highs on the 780's are also slightly brighter than the m50s....take your pick!

Click Here to see more reviews about: Ultrasone HFI-780 S-Logic Surround Sound Professional Headphones

The exclusive design of the closed-back Ultrasone HFI-780 is accentuated by the polar-silver color. The HFI-780 contains all Ultrasone technologies such as S-Logic Plus, ULE and safer hearing. The HFI-780 is developed from the studio sector and is distinguished by a frequency response that is specifically tuned for DVD and gaming. Sophisticated home theater and music enthusiasts are overwhelmed by the impressive sound that makes it appear as though you are listening to speakers placed meters away. Gamers are impressed by the exact sound reproduction, making the gaming world come alive. The low frequency ranges are raised in order to reach the highest possible synergies with DSP-Systems like Dolby Headphone and Yamaha Silent Cinema. Through S-Logic Natural Surround, the sound moves out of your head and into the room around you. Direction and distance are more easily perceived, giving the illusion of being at a live concert. With just a pair of Ultrasones and your favorite audio device, you can have genuine 3-dimensional aural enjoyment. The HFI-780 is equipped with thicker ear and headphone pads, and comes with a new velvet carrying bag.

Buy Now

Click here for more information about Ultrasone HFI-780 S-Logic Surround Sound Professional Headphones

Read More...

Friday, April 20, 2012

Shure SRH840 Professional Monitoring Earphones (Black) Review

Shure SRH840 Professional Monitoring Earphones (Black)
Average Reviews:

(More customer reviews)
The SRH840 is a new monitoring headphone from Shure, the company that is prevalent in professional circles for mics, in-ear monitors and other tools used by the sound engineers.
First a disclaimer. I'm NOT a fan of their in-ear monitors, finding them to have a sound that is too treble recessed. Only their top models like the SE530 are any good to my ears, and in my opinion, there are better for the price.
When they announced their line of full sized headphones, I thought they would be overpriced, but surprise....these are $200 which is a lot cheaper than a lot of other high end headphones.
These are clearly meant to be used as tools. They have that studio-use look, no cutting edge style and no exotic materials to give that high end bling. A detachable cable that plugs into and locks into place. It folds easily and neatly into a compact bundle. The cable is a coiled affair, which is kind of annoying for general use as you always feel tethered, but it makes sense for pro use since you usually plug them into your mixing/sound interface at arms reach on your console or desk. All the materials look durable, and you even get an extra set of earpads, and a little carrying bag with drawstring. Of course, a screw in 1/4 adapter is supplied. Top marks for all the things you get, you don't need to buy anything else.
The headband is very flexible design, and you can bend it any way and it springs back. The padding is a soft knitted material, and the headband slider has soft detents. On my big head, the clamping force is slightly tight but I suspect most people will find it quite comfortable. The earpads just go around the ears and I still have a bit of room to spare. The noise isolation is decent, my computer's noise is no longer noticeable. These are good companions for the office.
Sound:
These are definitely monitoring headphones. They have a middle-of-the-road sound presentation in their sound signature. Bass extension is quite deep, and there is still good bass presence below 40Hz. Treble is not overly-sparkly as you would find in other headphones like Denons or Grados but it has just enough treble sparkle that you don't feel like there are cottonballs in your ears (unlike some other Shure In-Ear monitors that I disliked). I would say the treble is just a wee bit shy of neutral. I'd think if you have a treble control, adding a decibel or two would make it just right. Mids are good, there is a tad bit of upper midrange graininess, and is well balanced. Sibilance is well controlled. Detail is above average for their price. While they don't extract the most minute details like some AKGs and Grados, I think they are just being honest. While those other headphones let you hear specific characteristics of certain instruments very well down to the texture of each violin bow stroke, these Shures don't have that deliberate magnifying effect anywhere in its presentation, which is good because you don't really want to hear exaggerated view of any one thing for a studio monitor. These aren't the last word in bass tightness, but the bass is presented with warmth and musicality, you feel and can clearly follow rythymn. This headphone doesn't sound thin nor too thick.
Soundstage is a downfall of closed type headphones, and these are no exception, but they are about average if you compare them to other closed models like the Sennheiser HD280. Don't buy these if you want to experience the grand 3D scale of The Philharmonic. What I like about these headphones is that they basically don't try to niche themselves, they don't go out of their way to call attention to the sound in any way, which is what a good monitoring headphone should be. I find them superior to the inexpensive reference monitor Sony MDR-V6 in overall sweetness and fluidity to the sound, these are just much more preferable for general music listening.
I like these a lot, and I think they don't have any obvious flaws. They are like the goldilocks of headphones, a neutral impartial tool that just presents the sound with no frills. While there are other headphones that will surpass these for certain types of music, and even many others that get your feet tapping more, these Shures seem to take the stance "meh, go ahead with those other headphones, I'm just doing my job"
My previous recommendation the Denon D2000 still stands as the headphone I like for a lively fun listen that gets me involved in the music, but I am finding these Shure quite compelling in that they are honest sounding..they are a good reference for what the sound signature would be like hearing the music that the mastering engineer heard in the studio.
These will be my new go-to recommendation for closed, neutral headphones from now on.

Click Here to see more reviews about: Shure SRH840 Professional Monitoring Earphones (Black)

Featuring 40 mm neodymium dynamic drivers precisely tailored to deliver rich bass, clear mid-range and extended highs needed for critical listening and studio monitoring. The SRH840 also provides an ergonomic fit and collapsible design for total comfort and portability. The SRH840 also provides a collapsible design for total comfort and portability, a second set of ear cushions, a carrying pouch and a threaded ¼-Inch adapter.

Buy NowGet 22% OFF

Click here for more information about Shure SRH840 Professional Monitoring Earphones (Black)

Read More...

Thursday, April 5, 2012

V-MODA XFLPR-PHCHROME Crossfade LP Over-the-Ear Headphones (Phantom Chrome) Review

V-MODA XFLPR-PHCHROME Crossfade LP Over-the-Ear Headphones (Phantom Chrome)
Average Reviews:

(More customer reviews)
I strongly urge anyone considering these headphones to go see them in person first.(like at the apple store)
I got these headphones in August after a coworker recommended them. He got his off Amazon and I got mine from the Apple store.
The speaker drivers themselves are great. Good balance of bass and treble across a wide range of music. The Crossfades seem well constructed and light. I use them only at work for about 4hrs a day and was happy for about a month. They stay on my desk when not in use and have never left the office
Unfortunately after a month I noticed the the inner plastic band where the metal adjustment bar that connects the phones to the padding the goes over your head had completely cracked on both sides of the headphones. If you look at the pictures Amazon provides, look at the 6th picture(for the gunmetal version - [...]). The cracks appeared right above the crossfade logo where the 2 screws secure the plastic housing on both sides of headphones(tops of the V). The plastic wasn't just cracked on one screw on each side, it was crack on all 4 screws. This leads me to believe that they had some over-tightening problem when putting in the screws during manufacturing. A day after I discovered the crack, one of the plastic cracked fragments actually fell off the headphones, making it impossible for the headphones to keep tension on the metal adjustment bar.
I was sad to see this issue, given I had just dropped $250 on these headphones a month earlier. So I went and had a look at my co-workers set. SAME exact problem, cracks along the plastic on both sides of the headphones in the same 4 places where the screw look to have been over-tightened. The plastic had not fallen off on his yet, but he was equally pissed off at the quality of manufacturing.
Seriously, the rest of the headphone is well constructed of metal and solid plastic.... but the one location that would get the most stress has the cheapest made component??!?!? I don't have a particularly wide head, and I've DJ'd for years and know how to take care of expensive headphones. What a shame that an otherwise great sounding set of headphones could be wrecked by a defective 50cent plastic part.
Thankfully the Apple store allowed me to return the headphones beyond the 14day regular policy. We went over to the iPod demo section in the store where they had 4 crossfades out for display to use with the iPod/iphones, and guess what!!! 3 of the 4 had the same exact issue.
I think these headphones are so new that this problem will start to become more prevalent in the next few months for folks who bought them early on. I don't think this is a hard issue to fix with a redesign of that particular part (using metal). However it's probably going to require folks to send them back to the manufacturer.


Click Here to see more reviews about: V-MODA XFLPR-PHCHROME Crossfade LP Over-the-Ear Headphones (Phantom Chrome)


Developed over the span of four years in collaboration with some of the world's top musicians, DJs and producers, the Crossfade LP delivers epic sound with a distinct design composed of luxurious fabrics and lightweight metals. Designed to be the ultimate versatile and multi-purpose headphone, Crossfade LP is made for people on the move, at the gym or on the stage.
Epic sound with a distinct design.

Buy NowGet 2% OFF

Click here for more information about V-MODA XFLPR-PHCHROME Crossfade LP Over-the-Ear Headphones (Phantom Chrome)

Read More...

Thursday, March 8, 2012

Sennheiser HD535DSP Over-Ear Headphones with DSP-360 Surround Processor Review

Sennheiser  HD535DSP Over-Ear Headphones with DSP-360 Surround Processor
Average Reviews:

(More customer reviews)
The DSP360 decoder/virtualizer, while small and lacking the 'high quality' finish of equivalent products from other makers, is surprisingly good. Several headphone enthusiast websites actually rate the DSP360 very highly, and consider it a great bargain.
my only complaint is that the unit (DSP360) defaults to 'speaker' mode when first powered up. of course, you buy this item expecting to use it with headphones, so why default to speaker mode? (And as the editorial review hints, the speaker mode is not worth the trouble.) Am I nitpicking? No, I'm trying to conserve my hearing. When in speaker mode, the volume control is basically disabled, so if the material you're listening to is very loud, you get first a shock, then painful ears. And worse, you frantically try to lower the volume, to no avail. To switch to 'headphone' mode, you have to press a button and HOLD it. It's in the manual, of course, but a lot of trouble could have been avoided if the DSP started with 'headphone' mode in the first place.
Audio is quite good, especially for the money. Using 'bypass' or disabling the 3D gives you stereo, useful when listening to CD's and other material not coded in Dolby Surround/Digital. In this mode, music really acquires 'space' and sounds more natural. I know it's not really a headphone amplifier to rival the best in the business, but the best in the business will set you back hundreds, even thousands of dollars more.
The headphones themselves are OK. You get what you pay for, as they say, and if you want still better headphones than the 535, then get the 580's. I'm saving up for those.

Click Here to see more reviews about: Sennheiser HD535DSP Over-Ear Headphones with DSP-360 Surround Processor

Innovation and know-how - those are the hallmarks of one of the world's leading companies in the area of electro-acoustics. From individual audio products to complete system solutions - Sennheiser Electronic has the knowledge and the experience to lead the way in the constantly developing audio market. The key factors in its extraordinary success are its customer orientation, the performance of its employees, and its worldwide market presence.PRODUCT FEATURES:High quality entertainment hi-fi stereo headphone;Functional, advanced design which takes account of ergonomics;Neodymium magnets for powerful dynamics and high sensitivity;Extremely light AlCu power coils for high transient fidelity;Fresh graphic equalization - powerful bass and finely tuned treble;Very sturdy, plug-in connection cable of Kevlar fiber-reinforced;OFC copper;Gold-plated connector plug, ensuring a connection with lasting reliability for all playback equipment;Optimal wearer comfort - adjusts to allow a perfect fit.

Buy Now

Click here for more information about Sennheiser HD535DSP Over-Ear Headphones with DSP-360 Surround Processor

Read More...

Thursday, February 16, 2012

Sennheiser HD448 Closed Circumaural Hi-Fi Headphone Review

Sennheiser  HD448 Closed Circumaural Hi-Fi Headphone
Average Reviews:

(More customer reviews)
I bought these headphones after returning the Bose Triports Bose? around-ear headphones, for personal and portable listening, which have good sound but are flimsy. Even out of the box, without time for break-in, they are stunning. The sound is precise, clear, and natural. Listening to Mozart's Clarinet Quintet, I hear each instrument beautifully and in surprising detail.
You can buy these with great confidence. An audiophile vendor not associated with Amazon gives these headphones 5/5, and that company has ears trained on equipment costing thousands of dollars. Of course, if you are prepared to buy Sennheiser HD 600 Sennheiser HD600 Over-Ear Open Dynamic Hi-Fi Professional Stereo Headphones (Black) or HD 650 Sennheiser HD650 Audiophile Open Dynamic Stereo Headphone, you will hear something else again, a magical liquidity - but only if you couple them with a dedicated headphone amplifier. If you use headphones to listen to music, rather than music to listen to headphones, you will be very happy with the 448 for portables and home listening.
PS: It's a year since I posted this review, and I have just made a surprising discovery (surprising to me, at any rate). I knew these were good headphones without an amplifier. What I did not realize is that with a headphone amplifier, they are in another league. I have a small headphone amplifier, and I was getting only fair results with my high impedance headphones (which are outstanding on my other, larger amplifier). So just as an experiment, when frankly I was ready to buy a better amplifier, I asked myself what would happen if I took out the Sennheiser HD 530 (300 ohm impedance) and tried the HD 448. They're stunning. I thought it wouldn't be necessary, because the HD 448 has just a 32 ohm impedance. And it isn't necessary, but it certainly makes a huge difference. Put the HD 448 together with -- say -- a Headroom Airhead or Bithead and you have an excellent little rig.

Click Here to see more reviews about: Sennheiser HD448 Closed Circumaural Hi-Fi Headphone

The HD 448 is part of a series of boldly designed headphones to be an extension of consumers lifestyles.

Buy NowGet 23% OFF

Click here for more information about Sennheiser HD448 Closed Circumaural Hi-Fi Headphone

Read More...

Thursday, January 19, 2012

Denon AH-D5000 Reference Headphones Review

Denon AH-D5000 Reference Headphones
Average Reviews:

(More customer reviews)
My perspective is a bit different:
Let me preface this review with a few points that should add to the review's credibility:
1. I am a classical sound engineer primarily, but work exclusively in acoustic genres where audio fidelity and sonic accuracy are paramount.
2. I work in both balance engineering and mastering, where I am often required to perfect the spectral balance (in both dynamic and frequency) of the final mixdown.
3. For over 10 years I have used Bowers and Wilkins loudspeakers in various environments (anechoic and otherwise) in addition to custom EQ'd headphones for my work. B&W is widely believed to manufacture the finest loudspeakers in the world.
4. I regularly attend live classical music concerts, often in ideal seating locations, resulting in a great familiarity of how live music sounds.
I researched a number of headphone options before settling on the Denon AH-D5000. I was curious about the Ultrasone models from Germany, but was wary of a technology that supposedly "corrected" cross feed and phase issues often experienced with headphones. The Denon frequency response curve was generally smooth, and any corrections could be made with a high quality EQ within the DAW.
There are immediately two things that are apparent when you first hear the AH-D5000. They require extensive burn-in. I have been listening to these headphones for approximately 5 days now, attempting to leave as much signal in them overnight as possible. There has been a very apparent change in their sonic character as related to frequency response throughout this period. I can tell you that burn-in is a very real requirement for those of us in the music recording business. Loudspeakers often are very rigid when new, resulting in a limited frequency response and higher than normal distortion-giving you that characteristic "hard", new sound. Headphones present the same challenge, and these Denons require significant burn-in. What appears to be happening over time is a reduction of deviation from a flat frequency response, resulting in a smoother curve as time goes on. I would not be surprised if these phones need at least 300 to 400 hours before they are finally settled.
They are bass heavy, but the curve is very smooth and easily correctable, and again appears to be smoothing out with time.
I knew they were something extraordinary however when I listened to the dynamics. I have never heard dynamic range so clearly represented. More specifically, I have never heard so many poor compression jobs, recordings where the engineers applied too much compression, inconsistently, at both low and high levels. You will actually hear varying degrees of compression used in individual tracks within the mixdown-astounding. You will also be presented with a soundstage that reflects EXACTLY what was happening during the mixdown process. When every recording you audition has easily differentiated characters of depth, compression, spectral balance, and soundstage, you know you have something that exhibits an uncanny level of resolution. I have never heard music so ruthlessly resolved in my life. NO speaker has ever done this for me.
I have to comment on driving these headphones. While for average listening to pop music with little change in dynamic range, you might possibly get by with a mediocre soundcard upgrade, these headphones require real amplification if you want to experience aural nirvana. I have auditioned them with various lower end amplification, and the result is always the same-a hardening of sound during high level transients. This disappears completely with better amping. Additionally, and I have never experienced this before in a headphone, I plainly hear changes in the character of the sound, particularly in soundstage and dynamics, when switching some audio plugins in and out of the mixer that are designed to NOT change the character of the sound. Specifically I'm referring to final stage limiting plugins that are intended to be transparent. Again, to have this so plainly demonstrated is just astonishing, and Denon deserves tremendous credit for this design. I can only guess this is due to the unusually thin transducers used (micro-fiber construction).
These headphones are sending back to mixes I have already done. Suffice it to say that my golden ears have just received a tremendous boost.
Finally, the construction. The mahogany is beautiful, the magnesium finish is of the highest quality, yet the phones are unbelievably light and comfortable.
I HIGHLY recommend the Denon AH-D5000. The listener must be patient with these though, as with regular use it may take up to weeks to get them to settle into their true character.Some further observations (Sun, 4 Jan 2009 20:55:54):
I have already mentioned the tremendous resolving power of these headphones. I would like to supplement on two points, amplification and general resolving ability.
It has become very apparent that these headphones demand the highest quality amplification. Wide spectrum music with tremendous dynamic range suffers terribly with anything but high quality power. You will immediately notice a "collapsing" soundstage and a reduction in the frequency response at the outer ends of the spectrum, with an earbleed quality pushing heavily around 3000hz. When auditioning, make sure you have clean, sufficient amplification.
I have researched a number a specifications for these headphones that clearly demonstrate their superiority. Particularly interesting are the impulse response graphs (available on the Headroom sight). These are some of the cleanest I have seen, and in comparison to other top end cans, are clearly superior. Headroom is overwhelmingly positive about these headphones, even alluding to the outstanding specs. No doubt these specs support my belief that these may be the most highly resolving headphones I have ever heard.
I'd like to add yet another observation. Tracking using a single mic vs. stereo mic during the mixing process is extremely obvious, particularly in multiple mic environments like those in symphonic recording. The monophonic tracks have a flat, airless, and overly focused quality to them in comparison to tracks that had the benefit of stereo microphones. Clearly this is something that Balance engineers will have to deal with as the mediums improve. Pop music engineers often use all their tracks in stereo, then adjust field and panning as necessary, resulting a very open, natural sound, granted sometimes to exaggeration. Classical engineers should really look into spot micing with pairs or stereo mics to really achieve a natural, open stereo sound. That said, all these characteristics are plainly obvious with these headphones.
For those of you interested, I have been researching and testing multiple EQ curves to get this headphone as spectrally accurate as possible. Please let me know if you would like these specs.
By the way, Denon has just released the ah-d7000, and by just about all accounts, it is substandard to the ah-d5000, yet almost twice the price. The preliminary specs show a more jagged frequency response with less extension on both ends, plus less accurate impulses. Get the ah-d5000 while you can.

Click Here to see more reviews about: Denon AH-D5000 Reference Headphones

Headphones

Buy Now

Click here for more information about Denon AH-D5000 Reference Headphones

Read More...

Thursday, December 15, 2011

Denon AH-D1100 Advanced Over-Ear Headphones (Black) Review

Denon AH-D1100 Advanced Over-Ear Headphones (Black)
Average Reviews:

(More customer reviews)
So I bought and compared these to my D5000's and D2000's...
The contrast when going from D5000/2000 to D1100 was pretty stark. I will break this down by "with" and "without EQ" because it's a big deal.
Without EQ adjustments- By default (without any EQ adjustments) I find that the highs are pretty good, though a bit rolled off in the highs compared to the D2000's and D5000's. To their credit, the treble never becomes uncomfortably sharp like the D2000s can, nor is the treble rolled off enough to make it feel dull or dark. I'd say we have about 92% of the D2000 highs here. The mids, however, seem arrested...by the bass. Indeed, I would describe the bass as somewhat overwhelming and can make some songs feel heavy and muffled. If I were to describe default the sound stage here I terms of positioning of instruments...I'd say the 1100's make you feel like you're sitting on stage (extremely forward; thinner ear pads than the D5000/2000) ...and within 2 feet of the bass (instrument) or the drums...and the other instruments / musicians positioned somewhere behind them. It's certainly not the organization you see in a performance. In Robert Glasper's piano performances, the piano sounds muffled. Dwele's R&B tracks sound a bit bloated/congested/stuffy. Denez Prigent's somber background tones in J'Attends sound muddled. Certain elements felt altogether missing in some of the classical and Bossa Nova songs because of that bass, principally. But other songs sounded good. Most of my Rock and Alternative also sounded either "not bad at all" or "pretty damn good" which was a bit unexpected. Staind for example, sounded great and Three Days Grace sounded pretty good. They really benefitted from the rich bass. So yea, some genres suffer...and sometimes just a couple of songs IN a genre (ie, R&B) suffer. HOWEVER, they are tolerable and if need be, you can certainly get used to them in most cases.
Also, for what it's worth, there wasn't a single track I threw at it that caused the low/bass reproduction to start clipping or distorting at all either on my computer or on my iDevices. This is impressive considering how much bass they hit with.* Strong genres- Pop, R&B, Hip-Hop/Rap, Alternative, Latin, Classical (w/o heavy cello/bass accompaniment), Rock (that doesn't feature a lot of low-cord "growl"), anything that could use a touch more bass
* Okay genres-Rock (with a lot of low-cord "growl"), Gospel, Bossa Nova, similar
* Poor genres- Jazz, Classical (with heavy cello/bass accompaniment), anything already on the edge of "bass saturation"With EQ on iDevices set on "Bass Reducer"or EQ or my computer with slightly raised treble and slightly reduced bass...
Yes. Oh yes. Bass now brought under control, it is now present and solid but not overwhelming at all. It's now similar in bass and arrangement to what we expect...though I still feel like I'm on stage (very forward). Drums and bass are now behind the other instruments. The reduction in bass allows the mids to actually be presented, though they don't extend quite as far as the D5000/2000, though they get close. Highs come out more as well, though they're still not as crisp or extensive as the D5000s/2000s (slightly recessed by comparison, maybe 96% of the D2000s treble range)...but nowhere near as far away either. All genres range from good to great. Sound stage is probably as wide as I could hope for. Bass feels more "thumpy" and more meaningful than the D5000/2000. Very impressive.

* Strong genres- All.
* Okay genres- None!
* Poor genres- None!

I think if the 1100's were my only cans I could afford, a little EQing will go a long way towards making me feel extremely satisfied with the purchase. If EQ adjustments aren't an option for you...or if those kinds of adjustments mess up the sound quality (depending on your portable device, it certainly can), you might find some genres/songs tough to accept with these cans. By default the D1100's are deep cans as-is and compliment some genres/songs who enjoy bass punch or have a perceived shortage of bass representation. For other genre/songs, look out. They have what equates to an 12" woofer in the car trunk, for good and for bad. Fortunately, it can be tamed and as such becomes mostly an asset. To be clear: we're talking about 3x - 5x the amount of bass when compared to the D5000/2000 at similar volume levels and flat EQs. There is enough bass to feel it on your ears even after hitting the "Bass Reducer" on your iDevice. Wow. Helluva driver. Maybe too much driver if you consider the D5000/2000 nearly too strong as it is.Scoring (no EQ): Highs 7 | Mids 6.5 | Lows 8.3 | Soundstage 7 | Clarity 7.7 | Comfort 8.5
Scoring (EQ'd): Highs 8.4 | Mids 8.1 | Lows 9.8 | Soundstage 8.25 | Clarity 8.75 | Comfort 8.5
Scores are written relative to my point of reference: my Denon AH-D5000's...which isn't necessarily a fair comparison (home cans vs. less expensive portable cans), but at least it's an objective commentary. These cans stand well above the V-Moda Crossfade, Beats, Bose On-Ear, Shure SRH840's and Senn HD555's. But be aware the bass is strong. If you're sensitive to too much bass, look elsewhere. If you love bass or don't mind taming them a bit with your EQ...they are winners.
Additional notes:
-They clamp pretty strongly to my medium-sized head but aren't uncomfortable.
-After wearing them for several hours a day for several days, I'm comfortable with saying you'll be fine wearing them for extended periods of time. I can see the relatively firmer pads softening up over time and becoming even more acceptable in that regard.
-There is no special wrapping on the cables. Just normal cables, not wrapped in fabric or anything. This is preferred for travel cans. You don't want stiff cables.
-Sound leak is minor. Much less sound leak than the AH-D5000's or D2000's.

Click Here to see more reviews about: Denon AH-D1100 Advanced Over-Ear Headphones (Black)

The AH-D1100 sets a new standard for performance and value in over-ear headphones. Part of Denon's "Acoustic Luxury" line, the AH-D1100's are premium headphones suitable for the discerning music listener at home, and efficient enough for use "on-the-go" with portable music players. The AHD-1100 employ a newly designed 50mm driver featuring Denon's exclusive Microfiber diaphragm technology. This ultra lightweight radiating surface provides excellent dynamics and extended frequency response (5-37,000Hz) for crystalline clarity. The drivers are housed in precision Aluminum ear cups. To eliminate distortions and colorations caused by conventional sealed-back enclosures, the AHD-1100 also features Denon's Acoustic Optimizer design. This improves low frequency extension and smoothes overall response by precisely adjusting the sound pressure balance behind and in front of the driver diaphragm. The adjustable headband features a new contour fit ergonomic design and is coupled to soft protein leather foam ear-cushions providing comfortable isolation from outside sounds. This, and the unit's light weight (only 180 grams - 6.3 ounces) ensures extended, fatigue-free listening. The AH-D1100 is equipped with an audiophile grade OFC oxygen-free copper cable featuring equal length L/R design. A 3.5 meter extension cable is included along with a 3.5mm to 0.25" adapter and a convenient carrying pouch.

Buy Now

Click here for more information about Denon AH-D1100 Advanced Over-Ear Headphones (Black)

Read More...

Wednesday, December 14, 2011

Sennheiser HD 380 Pro Collapsible High-End Headphone for Professional Monitoring Use (Black) Review

Sennheiser HD 380 Pro Collapsible High-End Headphone for Professional Monitoring Use (Black)
Average Reviews:

(More customer reviews)
I've been a huge fan and user of Sennheiser headphones for the last three years, and have had many of their headphones (HD200, HD201, HD215, HD280, EH150, CX300 - All still work fantastically, I've just been expanding my collection) as well as a few other brands and models (Sony MDR V700, Pioneer HDJ1000). That being said, I will be reviewing the 380s and how they compare to the HD280s.
First, the construction and design - the 380s have been entirely reworked from the previous 280 design. The ear-pads now sit at an angle to the headband, meaning that they cover the ears completely while still allowing the band to sit comfortably on one's head. Additionally, while they do sit tightly on the ears, there is less of a "vice grip" effect that was heavily criticized for the 280s. Another improvement is that now, while the ear-cushions sit around one's ears, the actual pad on the inside of the cup does not touch one's ear. This arrangement is much more agreeable than the 280s, where the ear-pad was in constant contact. Also, the swivel on the 280s has been reversed in direction. While this is a bit strange, there is still enough give in the cups to allow one ear monitoring (as a DJ, this is invaluable). Just out of curiosity, I compared the noise cancellation to both the Sony MDR-NC7s and the Bose Triports - they were just as good as either of these models (although the Triports leather is much more comfortable). Finally, while they are a bit heavier than other full headsets (7.7 oz), they do not feel as heavy as they should. In fact, they feel much lighter than the 280s (7.8 oz), perhaps because of the new design.
Now, the sound - HUGE HUGE HUGE improvement over the 280s. The 380s provide an even clearer and more analytical sound than their predecessor. Another change has been the soundscape within the ear-cups. The 280s project the sound (in my opinion) as if it were a beam right into the ear canal: the 380s create an environment of sound that surrounds one's ear and draws the listener in. By doing this, it creates a much more enjoyable experience while not sacrificing the clarity of the music. Finally, the bass impact and response have been improved and given some force. Whereas an equalizer had to be used to "correct" the 280s, it is not needed for the 380s. That being said, they are not bass-heavy, just accurate.
Finally, some things to consider. The price tag is $200, so even if you're into music production or DJing (that's why I got them), the price may still be a bit steep. Also, if you do buy these, you MUST increase the bitrate of your MP3s. Anything less than 192 Kbps is just too low, and you WILL NOTICE the lack of clarity (I rip at 320 Kbps, or preferably WAV or FLAC). This being said, an iPod will have no trouble running these headphones, as is a problem with some higher impedance headphones (>64 Ohms).
I wholeheartedly recommend these headphones, for both their clarity and comfort. If you get a chance, swing by your local Guitar Center and give them a listen. I guarantee you'll be in love. If these aren't what you need, be sure to hit [...] and look around. Great info there. Good luck with your decision, and enjoy if you do buy them!!
EDIT - I can't believe I'm actually saying this, but no, I am not paid for my opinions nor in any way do I make money in any audio-related field (as was suggested in one review, though not at me specifically). I'm a grad student in chemistry, and I only purchase items after hours of research. If I seemed somewhat knowledgeable in the field of headphones, it's only because of lots of reading done at head-fi.org and comparing the sounds of different brands. I prefer accuracy (i.e. the "true" nature of the sound) so I love my Sennheisers.

Click Here to see more reviews about: Sennheiser HD 380 Pro Collapsible High-End Headphone for Professional Monitoring Use (Black)

The HD 380 Pro provides an extended frequency response with increased sound level for accurate sound reproduction in all kinds of demanding use.

Buy NowGet 37% OFF

Click here for more information about Sennheiser HD 380 Pro Collapsible High-End Headphone for Professional Monitoring Use (Black)

Read More...

Friday, December 9, 2011

Sennheiser HD-280 PRO Headphones Review

Sennheiser HD-280 PRO Headphones
Average Reviews:

(More customer reviews)
the folks at Sennheiser must not have large heads. As with about every pair of headphones that I try on, I had to extend these all the way to fit. After a few months of daily use, the plastic headband began to develop small cracks. Now the cracks are growing and I fear that the whole thing will just snap one day. Unfortunately, that is one of the parts that isn't listed as replaceable.
That said, people who look at this headphone are looking for: a) quality sound synonymous with the name Sennheiser b) excellent noise reduction.
a) The sound from these phones is excellent. The standard criteria are there. The signal is very clean, thanks in part to the oxygen free copper cabling used. Bass is controlled and precise so a timpani doesn't sound muffled. Higher frequencies do not hiss and the phones are able to drive high frequency sounds and pull out details lost by consumer grade headphones. Soundstage is fairly narrow as some have said, but much better than consumer sets that sound like the sound source is inside your head. Of course, a DSP solution for soundstage expansion could help if someone didn't like the soundstage.
What people should realise is that most music is optimised for listening on a stereo system and not headphones. A search for "binaural music" will yield samples that show how music should be sampled for headphones. Anyways, the HD-280 Pros also have 64 Ohms of resistance so an amplifier isn't needed.
b) The biggest impression I got from these phones is silence. Not total silence, since with the headphones on I could still hear outside noise. Once the music starts playing, however, music is much clearer because background noises have been attenuated so effectively.
That was the biggest attraction of these headphones. For my sound processing work, ambient noise from my computer and the outside world are suppressed admirably. 32 decibels is a lot of sound attenuation, far more than the Active Noise Reduction sets from Bose or even Sennheiser. The HD-280 Pros use passive noise attenuation. This means that for the phones to supress outside noise effectively, they have to be tight. They are very tight in fact. Four Newtons of force are applied, a number significantly larger than most headphones. If it weren't for the thoughtful padding, they would feel as uncomfortable as firing range headsets. Passive noise attenuation also means there is no artifacting from electronic noise that is usually the case in Active Noise Reduction sets.
If you have a very large head, a solution is to find in-ear phones (the expensive Etymotics sets have even better sound quality and noise reduction). If you are sensitive to tight headphones, a solution might be the Active Noise Reduction sets (although they aren't as good sonically). If you listen to sound in a very very quiet environment, Grados or some other Sennheisers would probably get you that better soundstage for the money.
If none of these situations applies to you, then these phones will provide better sound through their native excellent quality and their superior noise attenuation. After all, the listening experience with Sennheiser 600's on an Audigy 2 card or a tube amplifier is diminished with that noisy computer fan in the background.
All in all, these phones are HIGHLY RECOMMENDED.
*** UPDATE, October 20, 2009 ***
Wow, well these headphones are still ticking after over six years and I'm pretty rough with my equipment! Cheap headphones break after six weeks for me because the cable gets pulled or I mess up the speaker so these Sennheisers are pretty solid.
Just as I feared though, the plastic HAS cracked and you can see the thin wires (covered in plastic or rubber) exposed. Now that most of the plastic on the headband has broken off, the fit is quite a bit looser though the headband is still held together by a wide piece of metal. I just wish they would just make a nice metal headband to avoid the plastic cracking issue.
While I like the fact that they aren't so tight, I don't like the fact that richness (low-end midrange and bass) suffers because of it. You can simulate this when listening by pulling the headphones slightly apart. It isn't noticeable on light music though and might not be an issue with newer versions of the HD-280 Pro.
The ear cushions on my 6+ year headphones are worn past the leatherette, past the foam and to the foam backing layer. The top is looking ratty as well. Replacement ear cushions are around $20.00 which isn't cheap. I'll probably skip that in favor of a new pair of HD-280s - especially if they've been redesigned for larger heads as some people are indicating. I'll keep this pair around as beaters until they quit on me. However, now that I've quieted my working area, sound isolation isn't as critical to me as it was before so I might take a look at other Sennheisers.

Click Here to see more reviews about: Sennheiser HD-280 PRO Headphones

Sennheiser HD280 Professional Headphones are Sennheiser's Best The HD280 Professional is Sennheiser's most significant closed, circumaural headphone to be introduced in years. Designed to exceed the demands of the professional environment, the HD280Pro boasts extremely robust construction combined with replaceable parts, low impedance (64 ohms), high SPL (113dB - 1kHz/1Vrms), and ultra-wide frequency response of 8Hz to 25kHz. The unique, space-saving, collapsible design combined with swiveling ear cups, and accurate, linear sound reproduction offers maximum flexibility in any application. The HD280Pro also provides a 1/8-inch cable connector with locking 1/4-inch adapter and a 2-year warranty. Click Here to read reviews by HD280 owners! Sennheiser HD280 Professional Features & Benefits Closed, dynamic stereo headphones Accurate, linear sound reproduction for critical monitoring applications Optimum impedance ensures universal compatability Space saving design features collapsible, rotating earcups Up to 32 dB of ambient noise attenuation Neodymium magnets for high maximum SPL Single-sided, coiled cable with 3.5 mm mini jack with locking 1/4 inch adapter Very comfortable, even if used for long periods of time Rugged construction with user-replaceable parts 2 year warranty Sennheiser At A Glance For 60 years, the name Sennheiser has been synonymous with top-quality products and tailor-made complete solutions for every aspect of the recording, transmission and reproduction of sound. In 1945, Dr. Fritz Sennheiser

Buy NowGet 37% OFF

Click here for more information about Sennheiser HD-280 PRO Headphones

Read More...

Tuesday, December 6, 2011

Audio Technica ATH-FC700A Portable Headphones with 40mm Neodymium Drivers, Black Review

Audio Technica ATH-FC700A Portable Headphones with 40mm Neodymium Drivers, Black
Average Reviews:

(More customer reviews)
Very musical with a linear frequency response to my ears. Sound is full with excellent bottom end (though could be a tad bit tighter). Silky smooth mid - range. Inner detail and soundstaging are decent though could be better. It really can't be faulted though at this price point. Overall sound is non - fatiguing for long listening sessions (the ear pads sit on the ear and do become annoying after awhile), although I did notice some bottom end clipping at higher volume levels on my ipod. I ended up purchasing a pair of Denon AH-D 1001's (and gave my 18y.o. son the A.T.'s who feels that they devour his Sennheiser PX 100's) because aside from a being more comfortable fit (goes around rather than on the ear) the inner detail, imaging and bottom end are far superior. But the Denons are also twice the price. I have to give the A.T.'s the edge in the mid range and could have easily lived with the ATH-FC700ABK's if the Denons weren't an option.

Click Here to see more reviews about: Audio Technica ATH-FC700A Portable Headphones with 40mm Neodymium Drivers, Black

Designed for pristine sound quality, long-wearing comfort & aesthetic design— these headphones deliver a real sense of depth to the sonic image. Newly developed 40 mm neodymium drivers ensure high quality sound with popular portable players. The headphones fold for extremely compact portability. With a lightweight body and soft ear-pads, Audio-Technica's ATH-FC700A fits comfortably around the ears for long listening.

Buy NowGet 71% OFF

Click here for more information about Audio Technica ATH-FC700A Portable Headphones with 40mm Neodymium Drivers, Black

Read More...

Thursday, December 1, 2011

V-MODA XFLPR-PWHITE Cross-fade LP Over-Ear Headphones (Pearl White) Review

V-MODA XFLPR-PWHITE Cross-fade LP Over-Ear Headphones (Pearl White)
Average Reviews:

(More customer reviews)
I strongly urge anyone considering these headphones to go see them in person first.(like at the apple store)
I got these headphones in August after a coworker recommended them. He got his off Amazon and I got mine from the Apple store.
The speaker drivers themselves are great. Good balance of bass and treble across a wide range of music. The Crossfades seem well constructed and light. I use them only at work for about 4hrs a day and was happy for about a month. They stay on my desk when not in use and have never left the office
Unfortunately after a month I noticed the the inner plastic band where the metal adjustment bar that connects the phones to the padding the goes over your head had completely cracked on both sides of the headphones. If you look at the pictures Amazon provides, look at the 6th picture(for the gunmetal version - [...]). The cracks appeared right above the crossfade logo where the 2 screws secure the plastic housing on both sides of headphones(tops of the V). The plastic wasn't just cracked on one screw on each side, it was crack on all 4 screws. This leads me to believe that they had some over-tightening problem when putting in the screws during manufacturing. A day after I discovered the crack, one of the plastic cracked fragments actually fell off the headphones, making it impossible for the headphones to keep tension on the metal adjustment bar.
I was sad to see this issue, given I had just dropped $250 on these headphones a month earlier. So I went and had a look at my co-workers set. SAME exact problem, cracks along the plastic on both sides of the headphones in the same 4 places where the screw look to have been over-tightened. The plastic had not fallen off on his yet, but he was equally pissed off at the quality of manufacturing.
Seriously, the rest of the headphone is well constructed of metal and solid plastic.... but the one location that would get the most stress has the cheapest made component??!?!? I don't have a particularly wide head, and I've DJ'd for years and know how to take care of expensive headphones. What a shame that an otherwise great sounding set of headphones could be wrecked by a defective 50cent plastic part.
Thankfully the Apple store allowed me to return the headphones beyond the 14day regular policy. We went over to the iPod demo section in the store where they had 4 crossfades out for display to use with the iPod/iphones, and guess what!!! 3 of the 4 had the same exact issue.
I think these headphones are so new that this problem will start to become more prevalent in the next few months for folks who bought them early on. I don't think this is a hard issue to fix with a redesign of that particular part (using metal). However it's probably going to require folks to send them back to the manufacturer.


Click Here to see more reviews about: V-MODA XFLPR-PWHITE Cross-fade LP Over-Ear Headphones (Pearl White)


Developed over the span of four years in collaboration with some of the world's top musicians, DJs and producers, the Crossfade LP delivers epic sound with a distinct design composed of luxurious fabrics and lightweight metals. Designed to be the ultimate versatile and multi-purpose headphone, Crossfade LP is made for people on the move, at the gym or on the stage.
Epic sound with a distinct design.

Buy NowGet 17% OFF

Click here for more information about V-MODA XFLPR-PWHITE Cross-fade LP Over-Ear Headphones (Pearl White)

Read More...

Tuesday, November 22, 2011

Shure SRH750 DJ Headphones (Black) Review

Shure SRH750 DJ Headphones (Black)
Average Reviews:

(More customer reviews)
First off let me say I own the Shure 440 and 840, I am not fond of either of them. I find their sound to be too powerful and harsh, especially their bass. People claim it to be accurate, but how can this be if nearly everyone agrees the Bass on them both is just incredibly powerful and too harsh at times. Thankfully, Shure listened to its buyers and made the SRH750DJ. Out of the box they sound okay, nothing special. However after 50 hours of burn in, everything improved drastically. Like the difference between night and day. This set is geared for listening to music, where as the 440 and 840 are really not meant for that, they are monitors, meant to pick out subtle abnormalities in music track editing, like static and pops and such. The 750DJ is purely geared for musical experience, even though the box says they are monitors, too. Sure they can be used as that, as any headphone set can, but they are a total 180 degree turn from the 840.
They come with extra ear pads, which i am sorry to say right out of the box are incredibly uncomfortable. They are stiff and hard, but after some usage and clamping them onto a box or something for a day or two, they break in and become very comfortable. I was incredibly worried about the circular design of the earcups not fitting my ears. By the looks of things, the cups seemed pretty small in comparison to the 840 and 440...they are smaller, but totally circular but still fully over my ears. The downside to this is that my ears have a fraction of an inch clearance, almost no space left, my ears just fit. They are DJ headphones anyway, really meant to be slung down on your neck and have 1 earcup pressed up against your ear. So I suppose it wasnt meant to support average sized peoples heads and fully cover their ears...either that or i am a freak and my ears are huge, which they dont appear to be.
The 750s are comparable to the Denon D1001. The sound is similar, just bigger and more powerful all around, with MUCH more bass. And I mean it...much more. Enough to melt your face off if you wanted and had the right EQ. The bass is nothing like the 440 or 840, not even remotely. Its clean and beautiful and not at all harsh even on heavy bass tracks. They can handle high outputs of power, but remain easily driven by my sansa fuze without a problem. Doesnt sound as nice through my sansa as it does amped of course, but still, i am incredibly impressed with their ability to sound that nice and powerful via an mp3 player with no amp at all. The 440 and 840 fail miserably with no amp. The 750dj pass with flying colors. The Denons are more comfortable without question. But in the near future I expect the 750djs to become superior after sufficient burn in and usage. My denon D1001 and Shure 440/840 are no good for acoustic jazz or classical. Their soundstage is pretty awful for those genres of music. However, the 750DJs can power through nearly every type of genre i toss at it and still sound just awesome. This is something anyone with the above models in their inventory will recognize immediately. "Whoa, they sound great with my Superman the Movie soundtrack!!!" AWESOME! While the soundstage is just not as broad as the 840, is improved on the 440 and flat out KO'ed the Denon d1001. Thats not even fair to compare.
What bothers me is this fetish with stock cables and the bayonet locker. Like the 440 and 840, the cable is unique and twist-locks into place for security. I made a mistake in buying a 3.5mm to 3.5mm mini to mini 3 foot cable of my own to use instead of its stock coiled cable. Turns out its a requires a 2.5mm, not a standard mini. Back to radio shack i suppose, bothersome but understandable.
The headband is likely going to be modded very soon. It offers almost no support at all, and has s strange texture on the fabric. I've a buzz cut hairstyle and it kind of grinds on my head, and its really annoying. The clamp factor is pretty good, meaning they dont vice grip your head like some other headphones...coughcough 440/840,es7coughcough...They are somewhat heavy, but not the heaviest ive used.
The sound isolation is pretty good, id say 40% reduction. They tend to get hot, after all they are full sized over the ears and closed backs...you cannot avoid this.
Overall they are a fantastic buy. HIGHLY recommended if you want to buy via Shure. In my humbled opinion, the Shure 750DJ are an overall better choice for the budget of $100-150. The Denon D1001 was king of closed backs for around $100-150, now hail the new king SRH750dj!!! live long, and prosper!

Click Here to see more reviews about: Shure SRH750 DJ Headphones (Black)

Featuring 50 mm neodymium dynamic drivers, a 3 meter detachable cable and weighing only 227 grams, the SRH750DJ is designed for the professional DJ. The SRH750 also provides a collapsible design for total comfort and portability, a second set of ear cushions, a carrying pouch and a threaded ¼-Inch adapter.

Buy Now

Click here for more information about Shure SRH750 DJ Headphones (Black)

Read More...

Friday, November 18, 2011

Sennheiser RS 140 Wireless HiFi Headphone with Dynamic Compression System Review

Sennheiser  RS 140 Wireless HiFi Headphone with Dynamic Compression System
Average Reviews:

(More customer reviews)
Audio choices are obviously very personal, so I hesitate to recommend anything too strongly here. Tastes and tolerances differ so greatly, and wireless audio products really seem to push those differences. Maybe some of my needs and wants will match yours, maybe not, but please consider my thoughts here in light of the many personal qualifiers that I add. Those qualifiers may or may not relate well to your own situation. By the way, my apologies in advance for such a long review, but I really appreciate details when researching audio gear. I thought you might, too.
BACKGROUND
I'm about as picky as they come when sound is the issue. I have a small home recording studio and 30 years of experience as a semi-pro musician (jazz, rock, classical, country). That said, I approach every musical equipment purchase with thorough research and comparison. Since I already have good wired phones (Senn 280s, Audio Technica M50s, and others) in my studio, I wanted some wireless cans mostly for moving around the house and yard while listening to music from my home stereo system, kind of a self-indulgent luxury. I've read enough to know that any wireless models using a radio signal (the best type of signal if you'll be in a different room than the transmitter) will produce some hiss and pop on occasion. I accepted this fact before buying. Still, I decided I would not accept something else: poor sound quality, in a musical sense. Two of the sub-$200 phones with rather consistently high reviews (in magazines and online) were the Senn 130 and 140 models. So I ordered both models to compare them in the privacy of my home. (I paid about $115 for the RS-130 and $135 for the RS-140; be patient because the prices here fluctuate often.)
TEST EQUIPMENT
A 100-watt/channel JVC receiver and JVC CD player--both typical (low-end) home stereo components. To suit my personal tastes for EQ, I boosted some at 16 kHz (to add air to the highs) and at 60 Hz (to add depth to the lows).
FOR MUSIC NOT TV
I've used these cans mostly for listening to music, which usually masks any low-grade background noise. TV use, with its emphasis on dialogue, would be demanding in other ways, so I'd defer to other reviewers for feedback concerning that application.
POINT OF REFERENCE
The entry-level price for a decent set of wired (corded) cans is roughly $100. The price of these wireless Senns, especially the 130s, isn't much more.
LIKES
Musically, both models sound as good as I'd hoped except for their shy response at the extremes (see Test Equipment above). Still, when I've been wearing them while working outside, I sometimes have to stop what I'm doing, raise the volume, and just listen for a while. They sound that good. I wouldn't use them in my studio, but considering the low price and mobility, I'm very satisfied. As I'd read, the open-back 130s sound (and look) a bit like Senn's popular 580 audiophile (wired) model--open, smooth, warm, and most of all, pretty well balanced. The closed-back 140s have a similar sound, maybe a bit boxier, overall, as is typical of closed cans. I think that some folks (such as heavy rock n' rollers, rappers, computer gamers, the hearing impaired, and even office workers) might prefer the 140s for their enhanced isolation, but I found the 130s, which offer the spacious open-back sound that made Senn famous, to provide the flatest, truest sound, overall. After a lot of back and forth listening to verify my impressions, I kept the 130s. The 140s would be a perfectly acceptable alternative, though. The differences are minor.
Both models are cushy comfortable, and the features and controls are top-notch. I've never liked surround-sound simulations and the like, so I can't comment on that feature (130s). But I find everything very simple to use, and all works fine. Like easy? Hang these Senns up and they turn off and charge automatically. Press a button and they tune their reception and then memorize it, also automatically. The reception's very good, too, after I improved it significantly by moving the transmitter unit to a slightly higher shelf and trying the different freq-channel options. Remember this if you buy. Also remember to boost the source volume plenty so that the phones receive a strong signal. (By the way, I've read that you may experience greater interference noise if you live in a congested area, which I don't.)
DISLIKES
No review would be complete without some criticism and warning, so here's mine. Above all, choosing musical equipment involves personal tastes, which vary greatly, so try to listen before buying. Trust your own ears. If you do buy either Senn wireless model, you should expect some hiss and pop and hum at times, usually just when you move around, but almost certainly if you head outside or into another room far from the base unit. (The stated spec of "up to 150 meters" seems laughable.) You may even notice the sound strengthen and weaken on occasion. In this price range, at least, I think you'll need to accept such reception problems or else stay with wired cans. Period. Wireless freedom is never perfect, is it? Beyond that, I wish these cans were as snug-fitting as my Senn 280s, which grip my head tightly. These wireless phones are like light pillows, very comfortable since they sit 'around' the ears (not 'on' the ears), but I'd bet that some folks with smaller heads could find them to be a bit loose when walking around. And finally, another obvious point--bad or good, depending on your situation--is that the 130s (which I prefer in terms of smoother, truer sound) are open-air cans, meaning that you'll hear your family if in the same room. That's good for staying in contact but bad if you want to get away from outside noise. The closed 140s are certainly better for blocking out a barking dog or not disturbing a nearby loved one.
COMMENT ABOUT INTERFERENCE PROBLEMS
If you're not already totally sick of me, you can check out my reaction to the interference problems that some users report here. (Click on 'Comments' below.)
OVERALL
All in all, both models of these phones admirably meet my picky expectations although being realistic about the limits of low-cost wireless sound was a necessary starting point. Nah, these wireless phones aren't perfect, and they're certainly no match for good wired cans, but I think they offer impressive overall performance for $100 plus change. An enthusiastic '4 and a 1/2 stars' and a lot of brag from me. Well done, Senn. Happy listening, all.
P.S. TO ANYONE WITH HEARING LOSS
If you have reduced hearing, particularly in one ear, you should probably choose the RS-140 model. The addition of the closed back (for isolation), L-R balance control, and compression switch (to equalize the overall volume) could be helpful.
NEED MORE RESEARCH?
Head over to "Consumer Search" online for a master summary of pro and consumer reviews of wireless headphones, including these. (The Senns do very well.)
UPDATE
A quick 2009 update, more than three years of almost daily use later: no surprises, no regrets, and the original batteries are still kicking. I stand by my review fully. I did find one time that the headphones didn't work, but a quick jiggle of the audio input in the base unit brought them back to life. True, as some folks have noted, there is indeed annoying interference at times but usually just when moving around in another room or outdoors. That's only a minor limitation for me but clearly a deal-breaker for some people (although some of them, I suspect, haven't boosted the source volume enough). But the surprisingly good music quality and thoughtful design at this low price point is the real story here for me and my primarily musical needs. If you eventually decide to give the Senns a try, just be sure that you can easily return them if they don't fit your own needs and limits. I typically return about half of the audio equipment I buy, even after thorough research, and have learned the value of a simple return policy. Good luck to you.
DISCLAIMER (SUMMER 2010)
I notice that the price has nearly doubled since I wrote my review, and that would change things for me. If I had this much to spend on wireless cans, I'd likely opt for Senn's new RS-180 model instead.

Click Here to see more reviews about: Sennheiser RS 140 Wireless HiFi Headphone with Dynamic Compression System

The Sennheiser RS 140 Wireless Balanced Headphones use a switchable dynamic compression system for excellent sound accuracy and balance control for optimum right/left volume adjustment. The adjustable high output level can compensate for minor hearing loss, and the auto-tuning mechanism with memory function finds crisp, clear music. The self-learning automatic level control provides optimum signal reception. Power comes from NiMH batteries that are recharged by simply putting the headphones on their transmitter base that can be mounted to a wall. A charge lasts for 23 hours. The RS 140 is backed by a two-year warranty.

Buy Now

Click here for more information about Sennheiser RS 140 Wireless HiFi Headphone with Dynamic Compression System

Read More...

Sunday, November 13, 2011

V-MODA XFLPR-NERO Crossfade LP Over-the-Ear Headphones (Black/Chrome) Review

V-MODA XFLPR-NERO Crossfade LP Over-the-Ear Headphones (Black/Chrome)
Average Reviews:

(More customer reviews)
I strongly urge anyone considering these headphones to go see them in person first.(like at the apple store)
I got these headphones in August after a coworker recommended them. He got his off Amazon and I got mine from the Apple store.
The speaker drivers themselves are great. Good balance of bass and treble across a wide range of music. The Crossfades seem well constructed and light. I use them only at work for about 4hrs a day and was happy for about a month. They stay on my desk when not in use and have never left the office
Unfortunately after a month I noticed the the inner plastic band where the metal adjustment bar that connects the phones to the padding the goes over your head had completely cracked on both sides of the headphones. If you look at the pictures Amazon provides, look at the 6th picture(for the gunmetal version - [...]). The cracks appeared right above the crossfade logo where the 2 screws secure the plastic housing on both sides of headphones(tops of the V). The plastic wasn't just cracked on one screw on each side, it was crack on all 4 screws. This leads me to believe that they had some over-tightening problem when putting in the screws during manufacturing. A day after I discovered the crack, one of the plastic cracked fragments actually fell off the headphones, making it impossible for the headphones to keep tension on the metal adjustment bar.
I was sad to see this issue, given I had just dropped $250 on these headphones a month earlier. So I went and had a look at my co-workers set. SAME exact problem, cracks along the plastic on both sides of the headphones in the same 4 places where the screw look to have been over-tightened. The plastic had not fallen off on his yet, but he was equally pissed off at the quality of manufacturing.
Seriously, the rest of the headphone is well constructed of metal and solid plastic.... but the one location that would get the most stress has the cheapest made component??!?!? I don't have a particularly wide head, and I've DJ'd for years and know how to take care of expensive headphones. What a shame that an otherwise great sounding set of headphones could be wrecked by a defective 50cent plastic part.
Thankfully the Apple store allowed me to return the headphones beyond the 14day regular policy. We went over to the iPod demo section in the store where they had 4 crossfades out for display to use with the iPod/iphones, and guess what!!! 3 of the 4 had the same exact issue.
I think these headphones are so new that this problem will start to become more prevalent in the next few months for folks who bought them early on. I don't think this is a hard issue to fix with a redesign of that particular part (using metal). However it's probably going to require folks to send them back to the manufacturer.


Click Here to see more reviews about: V-MODA XFLPR-NERO Crossfade LP Over-the-Ear Headphones (Black/Chrome)


Developed over the span of four years in collaboration with some of the world's top musicians, DJs and producers, the Crossfade LP delivers epic sound with a distinct design composed of luxurious fabrics and lightweight metals. Designed to be the ultimate versatile and multi-purpose headphone, Crossfade LP is made for people on the move, at the gym or on the stage.
Epic sound with a distinct design.

Buy NowGet 17% OFF

Click here for more information about V-MODA XFLPR-NERO Crossfade LP Over-the-Ear Headphones (Black/Chrome)

Read More...

Wednesday, October 12, 2011

Audio-Technica ATH-M50 Studio Monitor Headphones Review

Audio-Technica ATH-M50 Studio Monitor Headphones
Average Reviews:

(More customer reviews)
After trying on several pairs of headphones at a local professional audio store, I finally settled on these. What I like best is that they are comfortable, even when wearing glasses, which was a major concern. Even after several consecutive hours of listening, I felt extremely comfortable.
Although I am not an audiophile, here is my best critic's review. As I type, I'm listening to an extremely high quality Mozart concerto: High notes sound crisp and clear with being 'tinny'. Mid-tones also sound fantastic. Bass is also quite good; I've become used to the deep booms and now even my untrained ears cringe at the sound of simplistic speaker systems.
Going from a set of cheap $10 earbuds to these was definitely a shock to me. Most apparent was that I could hear subtleties in the music (even in songs I'm intimately familiar with) that had completely eluded me before. At first it was disconcerting, but now that I'm used to it I'm not sure it I can go back.
Also of note is how well they block out sound. They sport no advanced sound-cancelling technology, but they don't need it. With music going all but the loudest of outside noises are drowned out. The first time I listened to my music I didn't notice someone attempting to attract my attention until they got to within 8 feet and shouted at me.
The sound-blocking quality works in both directions, too, so at 80% volume people sitting right next to me can't hear a thing as long as you're wearing them. For an idea of what I mean, I told a friend to wear them and turned on a rock song at near full volume. He turned to me and yelled, "THIS IS AWESOME!" I replied (loudly), and he gave me a confused look, took them off, and immediately began talking at a normal volume, completely unaware that he his previous sentence could be heard halfway down the street.
From a hardware standpoint, I am extremely satisfied. So far they appear immune to standard wear and tear, surviving plane trips and typical abuse with no noticeable degradation. I'm not sure of the technical term, but the 'slinky-style' wire viewable in the picture is terrific for keeping the chord in good condition and out of my way.
Overall, these headphones pack excellent quality and durability in an affordable package. While they may not please those with more refined ears, for someone like me looking for a comfortable upgrade to better-sounding headphones, you really can't go wrong.

Click Here to see more reviews about: Audio-Technica ATH-M50 Studio Monitor Headphones

Designed especially for professional monitoring and mixing, the Audio Technica ATHM50 Studio Monitor Headphones feature an efficient collapsible design for space-saving portability and storage. Circumaural ear pieces swivel 180° for easy one-ear monitoring and luxuriously padded ear cushions create an outstanding seal for maximum isolation. The adjustable headband is generously padded for ultimate comfort during long mixing sessions. A coiled cable at the left earpiece terminates to a gold-plated mini plug with included screw-on 1/4 inch adapter. Audio-Technica's sophisticated driver technology and superior components deliver exceptional power handling and very high SPL capabilities while maintaining clarity of sound throughout their extended range, with deep, accurate bass and outstanding high-frequency extension. The headphones feature propriety large-aperture drivers with neodymium magnet systems for ultra-efficient signal transfer. With the ATHM50 Headphones, Audio-Technica has achieved an exceptionally accurate response and long-wearing listening comfort. Audio Technica ATHM50 Studio Monitor Headphones Features Exceptional audio quality for professional monitoring and mixing Collapsible design ideal for easy portability and convenient storage Proprietary 45 mm large-aperture drivers with neodymium magnet systems Closed-back cushioned earcup design creates an outstanding seal for maximum isolation Adjustable padded headband for comfort during long mixing/recording sessions Single-sided coiled cable terminates to gold-plated mini plug with screw-on 1/4 inch adapter AmericanMusical.com is an authorized dealer of Audio-Technica products.

Buy NowGet 38% OFF

Click here for more information about Audio-Technica ATH-M50 Studio Monitor Headphones

Read More...

Saturday, October 8, 2011

Shure SRH240 Professional Quality Headphones (Black) Review

Shure SRH240 Professional Quality Headphones (Black)
Average Reviews:

(More customer reviews)
I am comparing these with two other sets...
Logitech G35
Koss UR40
Shure SRH240
Notes:
The G35 allows modification of Bass and Treble levels, so I boosted them as follows: bass: +9 treble: +9.
The RealTek HD Audio headphone jack was used for the other two sets with no sound modifications.
The G35 was tested in stereo mode (surround virtualization off). Now let's begin...
Bass:
G35: 4 koss: 4.5 shure: 3.5
Clarity:
G35: 4 koss: 3.5 shure: 4.5
Brightness:
G35: 4 koss: 3 shure: 4.5
Comfort:
G35: 2.5 koss 4.5 shure 4.5
Construction:
G35: 4.5 koss: 3 shure: 4.5
Now let's run the numbers...
Value:
Logitech G35 - 19
Koss UR40 - 18.5
Shure SR240 - 21.5
With bass and treble maxed out, the G35 has enough bass to satisfy and is tighter sounding than the UR40. The cord is thick, surrounded by a woven material, and feels like it would be very difficult to damage accidentally (short of yanking on it or kicking the USB plug). The headphones themselves seem very sturdy and the adjustment band is metal. With the phones against your head, they seem to hold fast and do not feel like they might slip down. The faux leather pads are cushy but lack the width and pressure distribution of the UR40 and SRH240. Considering that the G35 applies the most pressure around the ears, this can cause comfort issues with prolonged wear. I was able to minimize the discomfort by adjusting the phones downward so that they were pressing against the ears as little as possible. As long as your ears are not terribly large, you should be able to find a reasonably comfortable position. Make sure that if you play with the Voice Morphing Preview option found in the utility program, that you disable it when done, as left on it can cause a slight humming noise. The microphone has a flexible rubber arm that folds conveniently out of the way when not needed and I found the pickup quality to be fine. The voice morph is a gimmick more than useful, unless they decide to add better morphs in an update.
The UR40 seems inherently biased toward the low end and gives the most impressive bass without modifications. Without comparing to other headphones, the sound is very acceptable. However, after listening to the G35 and SRH240, the UR40 sounds muddy in the highs and mids by comparison. I still like the sound, despite that, and it does have exceptional bass response. The deal breaker for me is the flimsy construction quality, despite a lifetime warranty. The entire thing is plastic and the joints that attach the phones to the adjustment bands look unnecessarily fragile. The cord is also on the short side and very thin. Despite appearing closed, the UR40 is vented and quite open to environmental sounds, which can be good or bad depending on what you want. The comfort mesh around the top is notorious for coming loose, thanks to being attached by flimsy little black rubber bands. If you don't mind being prepared to replace them sooner than other headphones, or plan on being careful, these deliver great lows and adequate overall sound for the price.
If you are looking for a clear, bright sound with complimentary lows, the SRH240 delivers just that. The comfort level is on par with the UR40 but the build quality far surpasses it and feels very sturdy. Unlike the G35, it is less physically oppressive and does not apply as much pressure around the ears, which I appreciate. While not as heavy as the UR40, the bass is plentiful and compliments the overall sound very well. It is also a closed back design for good isolation.
If you have access to an equalizer, such as the one found in iTunes, you can compensate for the weaknesses and enhance the strengths of each of these sets to get a great sound, as I am currently proving to myself. I could honestly pick any of these and be happy with the sound, so it's almost more a case of priorities.
update:
I have decided to go with the G35 as I really enjoy the tightness of the sound and the feature set. I decided it is worth sacrificing some long-term comfort over. I like being able to modify bass and treble at the driver level, as this gives me strong, punchy bass, plus clear highs and mids without needing to rely on a third party equalizer. I only ever plan to use these at the computer, so being restricted to USB was not much of a concern.

Click Here to see more reviews about: Shure SRH240 Professional Quality Headphones (Black)

Reproducing full bass with detailed highs, the SRH240 is ideal for vivid listening on almost any device. The closed-back, circumaural design rests comfortably over the ears and reduces background noise. The ear cushions on the SRH240 are replaceable and a carrying pouch and threaded ¼-Inch adapter are included.

Buy NowGet 30% OFF

Click here for more information about Shure SRH240 Professional Quality Headphones (Black)

Read More...